Parataxis is a literary technique, in writing or speaking, that favors short, simple sentences, with the use of coordinating rather than subordinating conjunctions.
Perhaps the best-known use of parataxis is Julius Caesar’s famous quote, “Veni, vidi, vici” or, “I came, I saw, I conquered”. An extreme example is the immortal Mr. Jingle’s speech in Chapter 2 of The Pickwick Papers by Charles Dickens.
‘Come along, then,’ said he of the green coat, lugging Mr. Pickwick after him by main force, and talking the whole way. ‘Here, No. 924, take your fare, and take yourself off—respectable gentleman—know him well—none of your nonsense—this way, sir—where’s your friends?—all a mistake, I see—never mind—accidents will happen—best regulated families—never say die—down upon your luck—Pull him UP—Put that in his pipe—like the flavour—damned rascals.’ And with a lengthened string of similar broken sentences, delivered with extraordinary volubility, the stranger led the way to the traveller’s waiting-room, whither he was closely followed by Mr. Pickwick and his disciples.
Perhaps an even more extreme proponent of the form was Samuel Beckett. The opening to his monologue “Not I” is a classic example:
” . out . . . into this world . . . this world . . . tiny little thing . . . before its time . . . in a godfor– . . . what? . . girl? . . yes . . . tiny little girl . . . into this . . . out into this . . . before her time . . . godforsaken hole called . . . called . . . no matter . . . parents unknown . . . unheard of . . . he having vanished . . . thin air . . . no sooner buttoned up his breeches . . . she similarly . . . eight months later . . . almost to the tick . . . so no love . . . spared that . . . no love such as normally vented on the . . . speechless infant . . . in the home . . . no . . . nor indeed for that matter any of any kind . . . no love of any kind . . . at any subsequent stage” and so on.
Although the use of ellipses here arguably prevents it from being seen as a classic example of parataxis, as a spoken text it operates in precisely that way. Other examples by Beckett would include large chunks of Lucky’s famous speech in Waiting for Godot.
via Wikipedia, Conceit:
In literature, a conceit is an extended metaphor with a complex logic that governs a poetic passage or entire poem. By juxtaposing, usurping and manipulating images and ideas in surprising ways, a conceit invites the reader into a more sophisticated understanding of an object of comparison. Extended conceits in English are part of the poetic idiom of Mannerism, during the later sixteenth and early seventeenth century.
In English literature the term is generally associated with the 17th century metaphysical poets, an extension of contemporary usage. In the metaphysical conceit, metaphors have a much more purely conceptual, and thus tenuous, relationship between the things being compared. Helen Gardner observed that “a conceit is a comparison whose ingenuity is more striking than its justness” and that “a comparison becomes a conceit when we are made to concede likeness while being strongly conscious of unlikeness.” An example of the latter would be George Herbert’s “Praise,” in which the generosity of God is compared to a bottle which (“As we have boxes for the poor”) will take in an infinite amount of the speaker’s tears.
An often-cited example of the metaphysical conceit is the metaphor from John Donne’s “The Flea”, in which a flea that bites both the speaker and his lover becomes a conceit arguing that his lover has no reason to deny him sexually, although they are not married:
Oh stay! three lives in one flea spare
Where we almost, yea more than married are.
This flea is you and I, and this
Our marriage-bed and marriage-temple is.
When Sir Philip Sidney begins a sonnet with the conventional idiomatic expression “My true-love hath my heart and I have his”, but then takes the metaphor literally and teases out a number of literal possibilities and extravagantly playful conceptions in the exchange of hearts, the result is a fully formed conceit.
From Wikipedia: Estoppel.
Estoppel in its broadest sense is a legal term referring to a series of legal and equitable doctrines that preclude “a person from denying or asserting anything to the contrary of that which has, in contemplation of law, been established as the truth, either by the acts of judicial or legislative officers, or by his own deed, acts, or representations, either express or implied.”
Because estoppel is so factually dependent, it is perhaps best understood by considering specific examples such as the following:
Example 1: A city entered into a contract with another party. The contract stated that it had been reviewed by the city’s counsel and that the contract was proper. Estoppel applied to estop the city from claiming the contract was invalid.
Example 2: A creditor unofficially informs a debtor that the creditor forgives the debt between them. Even if such forgiveness is not formally documented, the creditor may be estopped from changing its mind and seeking to collect the debt, because that change would be unfair.
Example 3: A landlord informs a tenant that rent has been reduced, for example, because there was construction or a lapse in utility services. If the tenant relies on this statement in choosing to remain in the premises, the landlord could be estopped from collecting the full rent.
Biomimicry or biomimetics is the examination of nature, its models, systems, processes, and elements to emulate or take inspiration from in order to solve human problems. The term biomimicry and biomimetics come from the Greek words bios, meaning life, and mimesis, meaning to imitate. Similar terms include bionics.
In the social sciences, unintended consequences (sometimes unanticipated consequences or unforeseen consequences) are outcomes that are not the ones intended by a purposeful action. The concept has long existed but was named and popularised in the 20th century by American sociologist Robert K. Merton. Unintended consequences can be roughly grouped into three types:
- A positive, unexpected benefit (usually referred to as luck, serendipity or a windfall).
- A negative, unexpected detriment occurring in addition to the desired effect of the policy (e.g., while irrigation schemes provide people with water for agriculture, they can increase waterborne diseases that have devastating health effects, such as schistosomiasis).
- A perverse effect contrary to what was originally intended (when an intended solution makes a problem worse)
Chinese water torture is a process in which water is slowly dripped onto a person’s forehead, allegedly driving the restrained victim insane. This form of torture was first described under a different name by Hippolytus de Marsiliis in Italy in the 15th or 16th century.
The term “Chinese water torture” may have arisen from Chinese Water Torture Cell (a feat of escapology introduced in Berlin at Circus Busch September 13, 1910; the escape entailed Houdini being bound and suspended upside-down in a locked glass and steel cabinet full to overflowing with water, from which he escaped), together with the Fu Manchu stories of Sax Rohmer that were popular in the 1930s (in which Fu Manchu subjected his victims to various ingenious tortures, such as the wired jacket). Hippolytus de Marsiliis is credited with the invention of a form of water torture. Having observed how drops of water falling one by one on a stone gradually created a hollow, he applied the method to the human body. Other suggestions say that the term “Chinese water torture” was invented merely to grant the method a sense of ominous mystery.
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