Parataxis is a literary technique, in writing or speaking, that favors short, simple sentences, with the use of coordinating rather than subordinating conjunctions.
Perhaps the best-known use of parataxis is Julius Caesar’s famous quote, “Veni, vidi, vici” or, “I came, I saw, I conquered”. An extreme example is the immortal Mr. Jingle’s speech in Chapter 2 of The Pickwick Papers by Charles Dickens.
‘Come along, then,’ said he of the green coat, lugging Mr. Pickwick after him by main force, and talking the whole way. ‘Here, No. 924, take your fare, and take yourself off—respectable gentleman—know him well—none of your nonsense—this way, sir—where’s your friends?—all a mistake, I see—never mind—accidents will happen—best regulated families—never say die—down upon your luck—Pull him UP—Put that in his pipe—like the flavour—damned rascals.’ And with a lengthened string of similar broken sentences, delivered with extraordinary volubility, the stranger led the way to the traveller’s waiting-room, whither he was closely followed by Mr. Pickwick and his disciples.
Perhaps an even more extreme proponent of the form was Samuel Beckett. The opening to his monologue “Not I” is a classic example:
” . out . . . into this world . . . this world . . . tiny little thing . . . before its time . . . in a godfor– . . . what? . . girl? . . yes . . . tiny little girl . . . into this . . . out into this . . . before her time . . . godforsaken hole called . . . called . . . no matter . . . parents unknown . . . unheard of . . . he having vanished . . . thin air . . . no sooner buttoned up his breeches . . . she similarly . . . eight months later . . . almost to the tick . . . so no love . . . spared that . . . no love such as normally vented on the . . . speechless infant . . . in the home . . . no . . . nor indeed for that matter any of any kind . . . no love of any kind . . . at any subsequent stage” and so on.
Although the use of ellipses here arguably prevents it from being seen as a classic example of parataxis, as a spoken text it operates in precisely that way. Other examples by Beckett would include large chunks of Lucky’s famous speech in Waiting for Godot.
By Steve Kandell on Buzzfeed [The Worst Day Of My Life Is Now New York’s Hottest Tourist Attraction]:
The fact that everyone else here has VIP status grimly similar to mine is the lone saving grace; the prospect of experiencing this stroll down waking nightmare lane with tuned-out schoolkids or spectacle-seekers would be too much. There are FDNY T-shirts and search-and-rescue sweatshirts and no one quite makes eye contact with anyone else, and that’s just fine. I think now of every war memorial I ever yawned through on a class trip, how someone else’s past horror was my vacant diversion and maybe I learned something but I didn’t feel anything. Everyone should have a museum dedicated to the worst day of their life and be forced to attend it with a bunch of tourists from Denmark. Annotated divorce papers blown up and mounted, interactive exhibits detailing how your mom’s last round of chemo didn’t take, souvenir T-shirts emblazoned with your best friend’s last words before the car crash. And you should have to see for yourself how little your pain matters to a family of five who need to get some food before the kids melt down. Or maybe worse, watch it be co-opted by people who want, for whatever reason, to feel that connection so acutely.
via Wikipedia, Conceit:
In literature, a conceit is an extended metaphor with a complex logic that governs a poetic passage or entire poem. By juxtaposing, usurping and manipulating images and ideas in surprising ways, a conceit invites the reader into a more sophisticated understanding of an object of comparison. Extended conceits in English are part of the poetic idiom of Mannerism, during the later sixteenth and early seventeenth century.
In English literature the term is generally associated with the 17th century metaphysical poets, an extension of contemporary usage. In the metaphysical conceit, metaphors have a much more purely conceptual, and thus tenuous, relationship between the things being compared. Helen Gardner observed that “a conceit is a comparison whose ingenuity is more striking than its justness” and that “a comparison becomes a conceit when we are made to concede likeness while being strongly conscious of unlikeness.” An example of the latter would be George Herbert’s “Praise,” in which the generosity of God is compared to a bottle which (“As we have boxes for the poor”) will take in an infinite amount of the speaker’s tears.
An often-cited example of the metaphysical conceit is the metaphor from John Donne’s “The Flea”, in which a flea that bites both the speaker and his lover becomes a conceit arguing that his lover has no reason to deny him sexually, although they are not married:
Oh stay! three lives in one flea spare
Where we almost, yea more than married are.
This flea is you and I, and this
Our marriage-bed and marriage-temple is.
When Sir Philip Sidney begins a sonnet with the conventional idiomatic expression “My true-love hath my heart and I have his”, but then takes the metaphor literally and teases out a number of literal possibilities and extravagantly playful conceptions in the exchange of hearts, the result is a fully formed conceit.
From Wikipedia: Estoppel.
Estoppel in its broadest sense is a legal term referring to a series of legal and equitable doctrines that preclude “a person from denying or asserting anything to the contrary of that which has, in contemplation of law, been established as the truth, either by the acts of judicial or legislative officers, or by his own deed, acts, or representations, either express or implied.”
Because estoppel is so factually dependent, it is perhaps best understood by considering specific examples such as the following:
Example 1: A city entered into a contract with another party. The contract stated that it had been reviewed by the city’s counsel and that the contract was proper. Estoppel applied to estop the city from claiming the contract was invalid.
Example 2: A creditor unofficially informs a debtor that the creditor forgives the debt between them. Even if such forgiveness is not formally documented, the creditor may be estopped from changing its mind and seeking to collect the debt, because that change would be unfair.
Example 3: A landlord informs a tenant that rent has been reduced, for example, because there was construction or a lapse in utility services. If the tenant relies on this statement in choosing to remain in the premises, the landlord could be estopped from collecting the full rent.
An azimuth i/ˈæzɪməθ/; from Arabic السمت as‑samt, meaning “a way, a part, or quarter” is an angular measurement in a spherical coordinate system. The vector from an observer origin to a point of interest is projected perpendicularly onto a reference plane; the angle between the projected vector and a reference vector on the reference plane is called the azimuth.An example is the position of a star in the sky. The star is the point of interest, the reference plane is the horizon or the surface of the sea, and the reference vector points north. The azimuth is the angle between the north vector and the perpendicular projection of the star down onto the horizon. Azimuth is usually measured in degrees °. The concept is used in navigation, astronomy, engineering, mapping, mining and artillery.
via Wikipedia, the Wild Hunt:
The Wild Hunt is an ancient folk myth prevalent across Northern, Western and Central Europe. The fundamental premise in all instances is the same: a phantasmal, spectral group of huntsmen with the accoutrements of hunting, with horses and hounds in mad pursuit across the skies or along the ground, or just above it.
The hunters may be the dead or the fairies (often in folklore connected with the dead). The hunter may be an unidentified lost soul, a deity or spirit of either gender, or may be a historical or legendary figure like Theodoric the Great, the Danish king Valdemar Atterdag, the Welsh psychopomp Gwyn ap Nudd or the Germanic Woden (or other reflections of the same god, such as Alemannic Wuodan in Wuotis Heer (“Wuodan’s Army”) of Central Switzerland, Swabia etc.)
I only follow a couple of podcasts regularly because my drive to work is relatively short, and I otherwise can’t keep up. But I happened to read about one particular episode of This American Life – entitled Ruining It for the Rest of Us – on a blog somewhere, and was interested enough to loop back and get caught up with that show. The Prologue was particularly interesting:
A bad apple, at least at work, can spoil the whole barrel. And there’s research to prove it. Host Ira Glass talks to Will Felps, a professor at Rotterdam School of Management in the Netherlands, who designed an experiment to see what happens when a bad worker joins a team. Felps divided people into small groups and gave them a task. One member of the group would be an actor, acting either like a jerk, a slacker or a depressive. And within 45 minutes, the rest of the group started behaving like the bad apple. (13 minutes)
A very interesting study — one person with a bad attitude can indeed spoil the whole barrel, even for people who have a good reason to want to succeed. Bad apple behaviors tend to pull the whole group down, and groups were only as successful as their poorest member. And one of the interesting things is that only one particular type of person was able to short-circuit the bad apple behavior in their study — one of the participants was the son of a diplomat, and was able to diffuse the behavior of the bad apple and lead the group.
I’d strongly recommend listening to that podcast – It made me think about my own behavior and how I react to others, both at work and at home.
I did some additional research and found the Journal where Felps published this report — Research in Organizational Behavior, Volume 27. Dunno if I’ll go ahead and order it, because I have lots to read already, but I thought it was really cool.